Selmer Pennsylvania Special Baritone (1937)

The Story

This is Geoff Sansome’s story and a tribute to sax player Beechey…

‘I bought the sax, case and stand in an Oxfam shop yesterday. There was a notice in the door advertising it. Turns out it is a “Pennsylvania Special, made in Czechoslovakia, serial number 255352. When I got it home I found a repair ticket from 1988 for it with the owner’s name and address, Mr Beechey (Albert). Not only did I know him, but played in a jazz band with him and this sax 20 years ago!

We started messing about as a Dixieland band in 1992 and we asked Albert to come along. He was about 80 then and I was 30. He had a range of saxes and had done a lot of dance band work in the second world war in and around Worcestershire and Droitwich. He occasionally got his baritone out and thundered away (We called it the scud missile). Albert didn’t improvise (he needed “the dots”) so as we developed we got a different reed player. Albert died in about 2000 and I have no idea where this sax has been since then until it surfaced in the Oxfam shop. It in its original case, with a heavy duty homemade stand and numerous mouthpieces and a very old Selmer pad repair kit.’ Read more »

Buescher New Aristocrat Alto (1934)

The Story

This splendid American saxophone came to me from my fixer-upper, which I bought from in 2006. I haven’t played it much, but intend to, especially as its big brother is currently my favourite tenor. Read more »

Selmer Pennsylvania Special Baritone (1935)

The Story

Boz the Sax of Maestro Music commented on our review of the Selmer Pennsylvania Special alto, questioning the date of his instrument. As always we are very happy to include new reviews here and, although we have already covered a similar instrument from Kate, there are enough differences to make this interesting.
In this case he reports ‘It came into my music shop in 2 parts – the body, then most of the pads, which had fallen out in the sellers loft!’ So it’s a tribute to his fixing skills that it looks so good in the photos. Read more »

Conn 16M (1963)

The story

I was originally just an alto player, but always been interested in tenors. Once I had enough money I bought a Conn 16M – but not this one. Eventually I traded it in for the Keilwerth SX90R reviewed on this site. Suffering from a long-term buyer regret, I saw this in a pawn broker shop in San Jose in 2001. I was escaped from a Sun analyst conference for an hour with my friend Peter. This was on a high shelf behind the counter, long forgotten I would imagine. Having asked the store-keeper to wash the dirty reed under water I played the instrument, which had a loud, clear tone. Having bought it, I got a real compliment, ‘I’ve often heard buyers play the saxophone, you’re the first one who proved it’. Read more »

Weltklang Commodore Tenor (1962)

The Story

We often go to the open market in Bridport, Dorset on a Saturday morning. In September 2011 we discovered a seller who had this instrument for sale. The lady was selling it for her son, who was not a player himself. There was no workable reed in the case, but it looked in good condition. It had no maker’s name on the horn, but looked playable and was relatively cheap for a tenor. Read more »

Yamaha YS62 (1974)

The Story

Lizzie was a keen clarinettist, playing a Conn metal instrument and a fine Buffet. She decided to take up the saxophone and I was keen she used something modern and good. We bought this from allegro in Oxford. It was already some 20 years old, but had not been played much and still looks shiny and pristine. Read more »

Selmer Pennsylvania Special Tenor (1938)

The Story

I bought this tenor from my friend Tony at Maggini Supplies a few years ago. He had recently sold me the alto version of this and knew I would be interested. As always I’m interested in unusual vinatage instruments and this fits the description well. Read more »

Selmer Pennsylvania Special Baritone (1937)

The Story

Kate plays this Selmer Pennsylvania baritone saxophone in the Earley Music Centre Big Band, having just moved back from the front row alto section. Ours is a rehearsal band which plays occasional concerts to friends and family, having an annual outing to the Victoria Embankment Gardens in Westminster, London. We play a good variety of big band music from swing to blues to pop and jazz. Our conductor is Tom Benellick who famously played bugle on the Beatles Sgt Pepper band. Read more »

Lyrist Briard Soloiste (1920)

 

The Story

I noticed my friend Tony at Maggini Supplies had this for sale in his ebay shop. I’ve bought a number of saxophones from him over the years, as readers of these reviews can discover. Instead of meeting up in person, this time the horn was delivered by courier – well packed and protected. The price was low because is was advertised in poor condition, so I ended up spending as much on having it repadded and put in playing condition by my sax fixer-upper. Read more »

Dolnet Belair (1947)

The Story

Kate plays saxophone in the Earley Music Centre Big Band. She’s been sitting on the front row with the altos in front of us tenor players for years, although she’s just moved to baritone – so we’re also going to review of her Selmer Pennsylvania Special here. Ours is a rehearsal band which plays occasional concerts to friends and family, having an annual outing to the Victoria Embankment Gardens in Westminster, London. We play a good variety of big band music from swing to blues to pop and jazz. We’re lucky to have Tom Benellick as our conductor. Read more »

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